What can art represent?

Art can communicate information, shape our daily lives, make a social statement and be enjoyed for its aesthetic beauty. Art is not only an expression of emotions, but also a means of communicating ideas. It can act as a therapeutic relief, a conduit for self-expression, or simply a way to appreciate the beauty of life. Through art, we can chronicle history, embody social values and comment on political events or social.

Art is truly a gift to the world. It's what we long for in the human experience. Art gives meaning to our lives and helps us understand our world. It is an essential part of our culture because it allows us to have a deeper understanding of our emotions, increases our self-awareness and also allows us to be open to new ideas and experiences.

Therefore, art continues to open our minds and hearts and shows us what could be possible in our world. As art students delve deeper into diverse art forms, they gain information about the functioning of the human brain and the power of creative expression. Despite contradictory theories, works of art can be considered to have “family resemblances” or “traits of resemblance” that link very different instances in art. Identifying examples of art is relatively simple, but it is difficult to find a definition of art that includes all the possible cases.

Sufficiency for something to be art requires an importance for art lovers, which endures as long as the chips or types of the work of art persist. So where does the subjective notion that beauty can still be found in art lie? If beauty is the result of a process by which art gives pleasure to our senses, then it must remain a matter of personal discernment, even if outside forces cry out to take control of it. Art promotes the development of a civilization, since it supports the established system and also prevents subversive messages from being silenced: art promotes, reflects and reveals change in politics and morality. The stratification of art based on value and the resulting tension also increases its meaning, and the meaning of art for society.

Art doesn't have to produce beautiful objects or events, since a great work of art can validly awaken emotions other than those awakened by beauty, such as terror, anxiety or laughter. The answer to the question could, perhaps, be found in Berys Gaut's criteria for deciding if an artifact is, in fact, art, that is, if the pieces of art work only as pieces of art, as intended by their creators. These influences must contribute to the cultural understanding of what art is at any time, making ideas about art dependent on culture. Japonism, a term first used by French art critic Philippe Burty in the late 19th century, summarizes the profound influence of Japanese art, design, and culture on art western.

At this point, the obvious recognition of what art really is is implicit; in other words, the author doesn't have to tell you that it's art when otherwise you wouldn't have a clue. Artistic periods such as classical, Byzantine, neoclassical, romantic, modern and postmodern reflect the changing nature of art in social and cultural contexts; and changing values are evident in the different contents, forms and styles. The fundamental difference between art and beauty is that art has to do with who produced it, while beauty depends on who looks at it. The arts provide a solid foundation for a comprehensive education, which interweaves the beauty of fine art with the practicality of real-world applications.